Bits and Bytes: The Simple Math of Premiere Pro’s Exports

For this article, we’re going to focus on the king of distribution formats, H.264. If you’re looking for an article on master / intermediate file formats like ProRes, Cineform, and DNxHD/HR, this article admittedly won’t be a ton of help. I’m going to use Premiere Pro to demonstrate the settings, but virtually everything in this article is applicable to most other NLEs and compression software. Let’s dig in… Read Article

Advertisements